The Fabulous, Famous Ole Bull
above $55,000
1. ANTONIO & HIERONYMUS AMATI, Cremona, 1617, a stunningly beautiful work by Antonio and Girolamo Amati, in a particularly fine state of presevation, Certificates from Pierre Vidoudez, Geneva, and Etienne Vatelot, Paris, 353mm, (Our #31306) INQUIRE
2. SANCTUS SERAPHIN, Venice, c.1745, the head c.1688 by G. B. Rogeri, a particulary beautiful & fine sounding violin, provenance: previously sold by the London firms of W. E. Hill & Sons, J & A Beare, and Hart & Son, 352mm, (Our #29827) INQUIRE
3. TOMMASO BALESTRIERI, Cremona, 1792, Labeled: Thomas Balestrieri Cremonensis/Fecit Mantua Anno 1792; Certificates: Rembert Wurlitzer, New York, signed by Simone F. Sacconi, with accompanying letter; & William Moennig and Son, Philadelphia, 350mm, (Our #31010) INQUIRE
4. JOSEPH ROCCA, Turin, 1846, a exceptionally fine sounding Stradivari model designed after the Messiah-Salabue Stradivarius of 1716, (Our #30836) INQUIRE
5. GIOVANNI PRESSENDA, Turin, 1834, a superb concert instrument, certificate by Dario D'Attili, 355mm, (Our #31120) INQUIRE
6. J. B. VUILLAUME, Paris, c.1845-50, a very strong & bold sounding Stradivari model, and a good and characteristic example, 358mm, (Our #31317) INQUIRE
7. GIOVANNI PAOLO MAGGINI, Brecsia, c.1620, Certificate by Charles Beare, 362mm, (Our #30756) INQUIRE
8. PIETRO ANTONIO LANDOLFI, Milan, 1776, certificates from: Paulus Pilat, New York dated Sept. 6, 1944; & Rudolph Wurlitzer, New York, dated Jan. 11, 1939, 356mm, (Our #30120) INQUIRE
9. GAGLIANO FAMILY, Naples, c.1820, by a member of the Gagliano family, mostly resembling the work of Antonio Gagliano, 358mm, (Our #30663) INQUIRE
10. GIUSEPPE PEDRAZZINI, Milan, c.1910, an early example of this maker's work, a fine model of J. B. Guadagnini c.1770, 354mm, (Our #28500) INQUIRE
11. JOANNES TONONI, Bologna, c.1690-1700, with restored cracks & worm repairs; Rory Williams in his blog concerning a local performance on this violin notes: "The haunting colors he elicits from the 1690 Tononi violin stay with you long after the bow’s last breath"; shows the hand of Carlo Tononi, 351mm, (Our #24555) INQUIRE
12. MILAN SCHOOL, c.1910, a very fine Gagliano copy, bearing the label: Ferdinando Gagliano Filius/Nicolai fecit Neap 17(83?). Possibly from the Bisiach workshop., 350mm, (Our #26702) INQUIRE
13. VINCENZO PANORMO, WORKSHOP OF, London, c.1790, a wonderful sounding violin patterned after Nicolo Amati, 356mm, (Our #24073) INQUIRE
14. CARLO BISIACH, Florence, 1954, a Guadagnini model with stunning wood selection & in particulary fine condition, 354mm, (Our #31175) INQUIRE
$35,100-$55,000
15. J. B. VUILLAUME, Paris/Mirecourt, 1852, a particularly fine example of a Ste. Cecile model Vuillaume, labeled: Ste. Cecile des Thernes/ Paris 1852, and retaining its original neck, 358mm, (Our #31009) INQUIRE
16. GAETANO SGARABOTTO, Parma, c.1930, a Scarampella/Guarneri model labeled: STEFANO SCARAMPELLA di BRESCIA/PREMIATO CON MEDGALIE D'ARGENTO/Fece in Mantova(ms) anno 1913, 354mm, (Our #27587) INQUIRE
17. CHARLES ADOLPHE GAND, Paris, 1847, a fine & characteristic example of this makers work, 358mm, (Our #31026) INQUIRE
18. LUDOVICO RASTELLI, Genoa, c.1840, an interesting model after a c.1730s Guarneri del Gesu, 355mm, (Our #22141) INQUIRE
19. GIUSEPPE SGARBI, Rome, c.1880, 360mm, (Our #28302) INQUIRE
20. BERNARD SIMON FENDT, London, c.1805-1820, a very fine example of the work of Bernard Simon Fendt I, in excellent condition; with the certificate of Wm. Moennig & Son, Philadelphia as the work of Vincenzo Panormo c.1795, 357mm, (Our #31155) INQUIRE
21. ROMEO ANTONIAZZI, WORKSHOP OF, Milan, 1918, made by Romeo Antoniazzi for the shop of Antonio Monzino, 357mm, (Our #29385) INQUIRE
22. SERGIO PERESSON, Haddonfield, 1986, Peresson's iconic Guarneri model, bold sounding, in excellent condition, 355mm, (Our #30390) INQUIRE
23. ANDREAS CASTAGNERI, Paris, c.1745, a stunning example of the best Paris work of the period, 356mm, (Our #29405) INQUIRE
24. CLAUDE PIROT, Paris, c.1800-1805, labeled: Rue de Siene, No. 71, pres celle du Bussy/ ALDRIC,/ Luthier a Paris, an. 1805. a lovely & strong sounding violin of the Lupot/Pique School; this violin is described in the Rudolph Wurlitzer catalogue of 1931 as the work of Aldric, 357mm, (Our #28861) INQUIRE
Gentleman Violinist
$20,100- $35,000
25. EMIDIO CELANI, Ascoli Piceno, c.1890-1900, an interesting Central Italian violin of smallish proportions, fully antiqued & with a strong dark sound, 351mm, (Our #30039) INQUIRE
26. GIULIO DEGANI, Venice, 1905, 356mm, (Our #27351) INQUIRE
27. GIOVANNI PISTUCCI, Naples, labeled: RAFFAELE ed ANTONIO GAGLIANO/ Quodam Giovanni Napoli 1869, and modeled after the Gagliano Family, 356mm, (Our #30757) INQUIRE
28. GIUSEPPE DOLLENZ, Trieste, c.1870, Giuseppe was the son of Giovanni Dollenz, 357mm, (Our #25092) INQUIRE
29. GIOVANNI TEDESCO, Naples, c.1920, made in a rustic antique style to resemble the work of Lorenzo Ventapane, 358mm, (Our #23571) INQUIRE
30. GABRIEL LEMBOCK, Vienna, 1860, a model after Nicolo Paganini's Guarneri del Gesu, in particularly fine condition by the finest Vienna maker of his time, 362mm, (Our #29176) INQUIRE
31. ALBERTO BLANCHI, Nice, 1929, an interesting and fine sounding antiqued Amati model in a very fine state of preservation, 355mm, (Our #28860) INQUIRE
32. PIERRE JOSEPH HEL, Lille, France, 1883, Stradivari model, 355mm, (Our #31100) INQUIRE
33. ALFREDO CONTINO, Naples, c.1930s, rich & full sounding Neapolitan work by Contino, working after a model of Lorenzo Ventapane, 355mm, (Our #23510) INQUIRE
34. DIEGO LOVERI, Naples, 1921, a Gagliano model by a fine Neapolitan workshop, 354mm, (Our #25123) $25,000.
35. BARTOLOMEO TASSINI, Venice, 1754, a Stainer model with various back repairs, though none right at the soundpost, 356mm, (Our #24537) $25,000.
36. CARLO BRUNO, Turin, 1918, 355mm, (Our #24423) $25,000.
37. CARLO CARLETTI, Pieve di Cento, 1938, 358mm, (Our #24701) $25,000.
38. EMILE BOULANGEOT, Lyon, 1927, Certificate by Wm. Moennig & Son, 355mm, (Our #30153) $22,000.
39. GUERSON/PIERRAY, Paris, c.1740, a work of the late workshop of Claude Pierray, or his pupil Louis Guersan, 354mm, (Our #28647) $22,000.
40. CAMILLO MANDELLI, Milan, 1926, this maker is also known as Camillo da Calco; born in Calco (Como) in 1873; he worked in Milan with Bisiach & Antoniazzi, worked in Buenos Aires in 1889, returned to Italy in 1920, 356mm, (Our #27158) $22,000.
41. DEZSO BARANY, Budapest, c.1920, a fully antiqued copy of Nemessany by this accomplished producer of interesting copies; labeled: Samuel Nemessanyi fecit ad forman/ Josephi Guarnerii Pestimi 1867/ fil Andrea, 356mm, (Our #30679) $22,000.
$15,100-$20,000
42. THOMAS KENNEDY, London, 1849, Sales Invoice from Rembert Wurlitzer (copy) 9/6/69 & certificate letter of same date, 356mm, (Our #27335) $20,000.
43. PAOLO VETTORI, Florence, 2014, Modelled after a Nicolo Gagliano violin of 1755, the one piece table of this Vettori violin is from timber dating to 1700-1800, 353mm, (Our #30401) $20,000.
44. JOSEPH DALL'AGLIO, Mantua, 1821, a broad model by Dall'Aglio after Balestrieri; with the original back, ribs & head, the somewhat later table by a London maker, possibly H. Lockey Hill; receipt from John Friedrich & Bro., New York March 1922, and included in that company's 1922 catalogue, 357mm, (Our #25279) $20,000.
45. NORTH ITALIAN, Venice or Padua, c.1800, an interesting late 18th century early 19th century violin of the Venice school, similar to the style of Domenico Busan, 357mm, (Our #26981) $20,000.
46. CARL BECKER, Chicago, 1952, a Stradivari model, the work of Carl Becker, with the exception of the table, which was expertly made for this violin, probably in the 1960s., 353mm, (Our #31177) $18,500.
47. GIOVANNI PALLAVER, Verona, 1957, Pallaver was a student of Andrea Bisiach in Milan, 357mm, (Our #28700) $18,500.
48. JOHANN KARL KLOZ, Mittenwald, 1782, a very fine example of this maker's work, Certificate by Wm. Moennig & Son, 356mm, (Our #30497) $18,500.
49. GIOVANNI CAVANI, Modena, c.1930, labeled PIETRO MESSORI/ MODENA/ fatto l'Anno 1932; branded on inside back: MESSORI; and possibly made for Messori by Cavani, certificate by Dario D'Attili, dated Dumont 1992, as the work of Pietro Messori of Modena, 356mm, (Our #29097) $18,000.
50. GEORGE CHANOT, WORKSHOP OF, Paris, c.1850, Stradivari model, 358mm, (Our #24783) $18,000.
51. GEORGE CRASKE, Manchester, 1850, a Guarneri model with a shallow arch, and of somewhat smaller dimensions than many of his insruments, 353mm, (Our #26259) $18,000.
52. HIROSHI IIZUKA, Philadelphia, 1989, 357mm, (Our #29465) $18,000.
53. GABRIEL LEMBOCK, Vienna, 1881, 357mm, (Our #30930) $16,000.
54. CLAUDIO TESTONI, Mantova, 2014, a strong sounding Scarampella model by this fine student of Mario Gadda, 356mm, (Our #30460) $16,000.
Violin Portrait
$10,100- $15,000
55. FRANCOIS DELPRATO, Mirecourt/Paris, c.1900, a beautifully antiqued Stradivari model. Delprato was born in Paris in 1876, and worked in Mirecourt, Paris, London, Chicago & New York, 355mm, (Our #26387) $15,000.
56. LUIGI MOZZANI, Pieve di Cento, 1918, in particularly fine condition, 357mm, (Our #28941) $15,000.
57. GIOVANNI PALLAVER, Verona, 1954, 356mm, (Our #28942) $15,000.
58. GEORGE WULME HUDSON, London, c.1920, a model after Luigi Marconcini, a particularly attractive & fine sounding instrument in superb condition, 353mm, (Our #25241) $15,000.
59. HORNSTEINER FAMILY, Mittenwald, c.1780, probably by Peter Hornsteiner, 360mm, (Our #29277) $15,000.
60. PERRY AND WILKINSON, Dublin, 1797, a comfortable model with a flat arch and a slightly short string length, 354mm, (Our #29309) $15,000.
61. ARISTIDE CAVALLI, Cremona, 1914, labeled: ARISTIDE CAVALLI/ (signed) Aristide Cavalli/ Cremona fecit 1914, 354mm, (Our #29320) $15,000.
62. BERNARD SIMON FENDT I, London, c.1810, a Stradivari model from the London shop of Thomas Dodd (most violins sold by and labeled T. Dodd were made by Bernard Simon Fendt I or John Lott, Sr.); original neck re-angled at the heel; Certificate from Balmforth & Son, London, 355mm, (Our #22628) $15,000.
63. JANOS SPIEGEL, Budapest, 1918, a Guarneri del Gesu model with a very attractive one-piece back, 358mm, (Our #28977) $15,000.
64. W. E. HILL & SONS, London, 1934, a lovely Venetian model in very fine condition; labeled: Made in the Workshops of/ William E. Hill & Sons/ London 1934; probably the work of Langonet or Delunet; in particularly fine condition; certificate from Jacques Francais, 354mm, (Our #30790) $15,000.
65. ENRICO AVERNA, Palermo, 1932, 357mm, (Our #30656) $15,000.
66. UMBERTO MUSCHIETTI, Udine, 1941, 353mm, (Our #30090) $15,000.
67. RAFFAELLO STEFANINI, Bologna, 2014, Raffaello Stefanini was a student of Otello Bignami of Bologna, 356mm, (Our #30284) $14,500.
68. RAFFAELLO STEFANINI, Bologna, 2015, Raffaello Stefanini was a student of Otello Bignami of Bologna, 356mm, (Our #30858) $14,500.
69. CHARLES J. B. COLLIN-MEZIN, Mirecourt, 1897, a strong sounding & attractive violin from this prominent Mirecourt workshop, 360mm, (Our #28467) $14,500.
70. CAESAR MAGGIALI, Genoa, 1961, 356mm, (Our #28341) $14,000.
71. PAUL BAILLY, WORKSHOP OF, Paris/London, c.1904, Stradivari model, 357mm, (Our #27266) $12,500.
72. ELIGIO PUCCINI, Empoli, 1938, 355mm, (Our #30356) $12,500.
73. JOHANN JOSEF STADLMANN, Vienna, c.1750, in a particularly fine state of preservation, 357mm, (Our #28720) $12,500.
74. SAM PAYTON, Philadelphia, 2014, a fine copy of J. B. Guadagnini, 351mm, (Our #30608) HOLD
75. THOMAS KENNEDY, London, 1806, an early violin for this maker showing the influence of his teacher William Forster, 355mm, (Our #27367) $12,500.
76. SAM PAYTON, Philadelphia, 2015, Modelled after a Matteo Goffriller violin of 1707, rich reddish varnish, elegant details and orchestral arching with comfortable proportions, 351mm, (Our #30740) HOLD
77. HONORE DERAZEY, Mirecourt, c.1870, Guarneri del Gesu model, 356mm, (Our #30875) $12,500.
78. OTTO ERDESZ, an antiqued Guarneri del Gesu model, 356mm, (Our #31093) $12,500.
79. RAFFAELE CALACE, Naples, 1914, a good & dark sounding Neapolitan violin in excellent condition, 356mm, (Our #22504) $12,500.
80. JOHN FRIEDRICH, New York, 1901, a large Stradivari pattern violin with long elegant corners reminiscent of the work of the 18th century Paris makers, 356mm, (Our #27546) $12,500.
81. BENVENUTO BOTTURI, Brescia, 1939, 357mm, (Our #29289) $12,500.
82. JULES GRANDJON, Mirecourt, c.1870, a Guarneri model with a very powerful sound, antiqued in the manner of the Vuilluame shop, 360mm, (Our #29310) $12,000.
83. LUIGI MOZZANI, Bologna, 1930, 357mm, (Our #24076) $12,000.
84. SASKIA BERGINK, Milan, 2006, Built on a model of Carlo Tononi of particularly handsome wood; Saskia Bergink was trained in Milan by Luca Primon, 354mm, (Our #25852) $12,000.
85. LEOPOLD RENAUDIN, Paris, c.1780, a large model after the work of Boquay; Certificate from Max Moller, Amsterdam, as the work of Jean-Baptiste Salomon, 365mm, (Our #29094) $12,000.
86. GIUSEPPE CALACE, Naples, c.1930, 355mm, (Our #24726) $12,000.
87. PAUL BAILLY, London, 1891, late 20th century revarnish, otherwise a fine & handsome example of a Paul Bailly Guarneri model, 356mm, (Our #30474) $12,000.
88. SHAN JIANG, 2005, a fully antiqued Guarneri model, 355mm, (Our #31109) $12,000.
89. KARL WEISS, ATTRIBUTED TO, Stuttgart, c.1930, a highly crafted & classy German violin, probably the work of Karl Weiss, b.1912 & worked for Hamma & Hans Nebel; labeled: LEANDRO BISIACH della Scuola Cremonese/ fece in Milano 1896, 355mm, (Our #29808) $12,000.
90. EULO DORFINO BY PAUL DOERFEL, Markneukirchen, 1930, labeled: Eulo Dorfino/ Espressamente per/ William Moennig & Son./ Reproduction of Carlo Testore/ 1930, 357mm, (Our #28606) $11,000.
$8,600-$10,000
91. OTTO GLAESEL, Markneukirchen, 1885, a superb master maker; inscribed on the inside top: "fait par Luthier et/ Archetier Otto Glesel/ ouvrier de C. Thomassin et G. Winterling/ avant la Guerre/ a Paris; and: Otto Glesel/ Markneukirchen/ Lindenstr. 605/ geb 1885./ Instrument/ No. 204", 362mm, (Our #30925) $10,000.
92. VIRGILIO CAPELLINI, Cremona, 1974, a Stradivari model in excellent condition, 355mm, (Our #28575) $10,000.
93. JEAN-PATRICK MOISY, County Cork, Ireland, 2010, 356mm, (Our #28649) $10,000.
94. AUGUST GEMUNDER, New York, 1912, a long-pattern Stradivari model (though only 14"), with a one-piece back of dramatically flamed American slab-cut maple, 356mm, (Our #30659) $10,000.
95. RAFFAELE CALACE, Naples, 1910, 354mm, (Our #30341) $10,000.
96. JOHN THORELL, Boston, 2013, An extremely playable and well-balanced violin modeled after the Messie Stradavari, 357mm, (Our #31220) $10,000.
97. BERNARDEL, WORKSHOP OF, Paris, c.1830-1850, a typical & full sounding Stradivari model from the Bernardel workshop, with old restorations & retouching, 359mm, (Our #26468) $10,000.
98. ENGLISH, LABELED JOSEPH HILL, London, c. 1830-50, 355mm, (Our #29193) $10,000.
99. ETIENNE LAPREVOTTE, Paris, 1822, 359mm, (Our #31011) $9,000.
100. FRANCOIS DELPRATO, PROBABLY BY, Mirecourt, c.1900 and later, a tastefully antiqued model of Matteo Goffriller, 359mm, (Our #25267) $9,000.
101. GEORGE APPARUT, Mirecourt, 1946, 356mm, (Our #31294) $9,000.
102. LOUIS DOLLING, JR, Markneukirchen, c.1890, 359mm, (Our #29646) $8,500.
$5,600-$8,500
103. JOHN JUZEK, 1936, a fine sounding Juzek Master Art model Gagliano copy, 353mm, (Our #31076) $8,500.
104. AUGUST GEMUNDER, New York, 1885, a Brescian model in very finely preserved condition, 361mm, (Our #30838) $8,500.
105. CHARLES J. B. COLLIN-MEZIN, Mirecourt/London, c.1880, a fine violin produced in France for the English market & sold by a London shop, possibl;y for Withers, 359mm, (Our #27499) $8,500.
106. BURRITT MILLER, Philadelphia, 1992, 358mm, (Our #28013) $8,000.
107. WILLIAM MOENNIG I, Philadelphia, 1919, Wm. Moennig I emigrated from Germany in 1896, & opened his shop in Philadelphia in 1909; labeled: William Moennig, fecit/ Philadelphia anno 1919, 360mm, (Our #29512) $8,000.
108. BURRITT MILLER, Philadelphia, 1999, 355mm, (Our #25075) $8,000.
109. AUGUST GEMUNDER & SONS, 1908, a nicely antiqued Stradivari model, labeled: Gemunder "Art" Violin/ SOLE MAKERS/ AUGUST GEMUNDER & SONS./ New York/ 1908, 358mm, (Our #30444) $8,000.
110. RICCARDA DACQUATI, Cremona, 2006, Guarneri del Gesu model, 352mm, (Our #27120) $8,000.
111. C. SANDINI, Vicenza, 1940, the catalogue of "la Musica Exposizione Generale Italiana di Torino" of 1898 records the fratelli Sandini of Castelnuovo (Vicenza) as makers of guitars, 359mm, (Our #22635) $8,000.
112. WILLIAM H. MOENNIG JR., Philadelphia, 1945, 356mm, (Our #29554) $7,500.
113. CAUSSIN WORKSHOP, Neufchateau (Vosges), c.1880, in this workshop's typical antiqued style; with a strong & dark sound, 358mm, (Our #29812) $7,500.
114. GUIDO MARAVIGLIA, Pistoia, 1961, interesting modern Italian work, 356mm, (Our #22634) $7,500.
115. GUIDO ALBERINI, Cremona, 2001, a Stradivari model from a graduate of the violin making school in Cremona, 356mm, (Our #27426) $7,500.
116. HEINRICH TH.HEBERLEIN JR., Markneukirchen, 1928, a Stradivari model with a very attractive one-piece back, and in nearly mint condition, 358mm, (Our #25304) $7,000.
117. LIONELLO GALETTI, Cremona, 1985, Stradivari model, with the maker's certificate, 355mm, (Our #25781) $6,500.
118. HERMANN GEIPEL, Markneukirchen, 1920s, an antiqued violin modeled after the King Joseph Guarneri, 358mm, (Our #29754) $6,500.
119. FRANCOIS BRETON, Mirecourt, c.1890, 358mm, (Our #30378) $6,500.
120. HEINRICH TH. HEBERLEIN, JR., Markneukirchen, 1915, Stradivari model, 355mm, (Our #26345) $6,500.
121. LEON MOUGENOT, WORKSHOP OF, Mirecourt, c.1920, a Guarneri del Gesu model in excellent condition, 357mm, (Our #29955) $6,500.
122. MOUGENOT WORKSHOP, Mirecourt, c.1920s, J. B. Guadagnini model, 357mm, (Our #29588) $6,500.
123. ORIPPI & GAMBARIN, Cremona, 2009, a tastefully antiqued Stradivari Model, certificate by the makers, 356mm, (Our #29534) $6,500.
124. PAUL HILAIRE, Mirecourt, 1976, labeled: "Fait par Paul HILAIRE/ en 1976 no. 850/ Made Especially for William Moennig & Son", 355mm, (Our #28463) $6,500.
125. HENRY HOLT, London/Paris, c.1826, a good sounding violin branded & signed by an English maker previously unknown to us, though we strongly suspect it to be by a Paris maker of this period, 351mm, (Our #24420) $6,000.
126. HEINRICH TH HEBERLEIN, JR., Markneukirchen, 1926, Stradivari model, 356mm, (Our #28741) $6,000.
127. OTAKAR FR. SPIDLEN, Prague, 1935, 355mm, (Our #29583) $6,000.
128. MARCO NOLLI, Cremona, 2001, 356mm, (Our #30922) $6,000.
129. HEINRICH TH. HEBERLEIN JR., Markneukirchen, 1911, Joseph Guarneri model, 357mm, (Our #28605) $6,000.
130. HANS NEBEL, Mittenwald, 1945, a full-sounding Guarneri model. Originally from Mittenwald, Hans Nebel worked in New York for Wurlitzer & returned to Mittenwald in 1945, 356mm, (Our #25489) $6,000.
Entertaining Guests
$2,600- $5,500
131. CARLO MICELLI, Markneukirchen, 1927, a creatively antiqued Guarneri del Gesu model, the fine work of the workshop of Carl Meisel, 358mm, (Our #30377) $6,000.
132. JAMES BRIGGS, ATTRIBUTED TO, Glasgow, c.1880, 358mm, (Our #24794) $5,500.
133. NEUNER & HORNSTEINER, Mittenwald, c.1890, a fine Kloz copy by the firm of Neuner & Hornsteiner, 359mm, (Our #30593) $5,500.
134. ERNST HEINRICH ROTH, Markneukirchen, c.1925, an unlabeled & unbranded 1920s Roth workshop Guarneri del Gesu model in excellent condition, 356mm, (Our #29749) $5,500.
135. CORBINIAN HORNSTEINER, Mittenwald, c.1820, labelled Martin Hornsteiner . . .1763, 355mm, (Our #24419) $5,000.
136. GUSTAVE AUGUST FICKER, Mittenwald, 1957, a fine copy of Nicolo Gagliano, 356mm, (Our #26242) $5,000.
137. NICHOLAS VASICH, Baltimore, 1952, (b.Yugoslavia 1891 & worked in the U.S. from 1924-), 357mm, (Our #27862) $5,000.
138. FRANZ REINDL, Mittenwald, 1967, 356mm, (Our #28499) $5,000.
139. JOHN FRIEDRICH & BRO., Markneukirchen, 1919, a Guarneri model made in Markneukirchen & sold by John Friedrich in New York, 355mm, (Our #29859) $4,750.
140. JOHN FRIEDRICH & BRO, Markneukirchen, 1923, a fine German Stradivari model made for & sold by the shop of John Friedrich in New York, 358mm, (Our #26573) $4,500.
141. MAX SCHUSTER, Markneukirchen, c.1925, a Stradivari model with a highly figured maple back & in very good overall condition, 356mm, (Our #26608) $4,500.
142. KURT MONNIG, Markneukirchen, c.1930s, labeled: Hergestellt von/ Kurt Monnig/fur Wm. Moennig & Son, 355mm, (Our #26661) $4,500.
143. KURT MONNIG, Markneukirchen, c.1930s, labeled: GEMACHT VON/ KURT MÖNNIG/ FÜR/ WM. MONNIG & SON, 355mm, (Our #30498) $4,500.
144. JEROME THIBOUVILLE-LAMY, Mirecourt, c.1880-90, antiqued in the Caussin style, 355mm, (Our #26362) $4,500.
145. FRANCOIS XAVIER LECAVALLE, Mirecourt, 1856, the pegbox terminating in a carved bald & bearded man's head, presumed to be that of Gaspard Duiffopruggar, with a strikingly figured maple back; inscribed on inside back: Lacavelle a mirecourt/ en. 1856, (14-1/2"), 368mm, (Our #26458) $4,000.
146. JEROME THIBOUVILLE-LAMY, Mirecourt, c.1890-1900, 357mm, (Our #24961) $4,000.
147. G. A. PFRETZSCHNER, Markneukirchen, c.1925-30, a 1920s Stradivari model in excellent condition; labeled: Reproduction of Ant. Stradivarius/ made by G.A.Pfretzschner/Markneukirchen, 357mm, (Our #25819) $4,000.
148. ROBERT GLIER, Cincinnati, 1915, a Stradivari model violin, made in Mirecourt, France, probably by the Mougenot workshop, & finished by Robert Glier for the Rudolph Wurlitzer Company, 355mm, (Our #25801) $4,000.
149. C. G. CONN, Elkhart, Indiana, c.1925, Stradivarius model, possibly the work of Frank Barstow, 360mm, (Our #27753) $3,500.
150. CARLO MICELLI, Saxony, 1920, in excellent condition; Carlo Micelli was a trade-name used by the firm of C. Meisel, & made in the Meisel workshop in Saxony, 362mm, (Our #26670) $3,500.
151. MIRECOURT, Mirecourt, c.1890-1900, 359mm, (Our #24650) $3,500.
152. ALBERT HILDEBRANDT, Baltimore, 1907, a lovely handmade American Red Violin, a fine sounding Guarneri model in excellent condition, 356mm, (Our #28488) $3,500.
153. JOHN FRIEDRICH, SHOP OF, New York, 1904, a good German import sold by the New York shop of John Friedrich & Bro., 360mm, (Our #29134) $3,500.
154. ERNST HEINRICH ROTH, Markneukirchen, 1926, lab: Hermann Lowendall/ Berlin 1926/ Reproduction of Antonius Stradivarius/Cremona 1721, 360mm, (Our #30159) $3,500.
155. H. M. SNELL, Pittsburgh, 1926, a finely crafted Guarneri model with extensive varnish craquele, 357mm, (Our #29669) $3,500.
156. ENGLISH, London, c.1680-1700, with numerous old repairs & restorations; possibly by a member of the Pamphilon family, 355mm, (Our #23953) $3,500.
157. KURT GUTTER, Markneukirchen, 1925, 359mm, (Our #26931) $3,500.
158. G. A. PFRETZSCHNER, Markneukirchen, c.1920s, labeled: Meister-Geige/copy of/ Antonius Stradivarious/hand made by/ G. A. Pfretzschner, 358mm, (Our #26330) $3,500.
159. MORITZ WORKSHOP, Saxony, c.1900, a nice 7/8th size Amati model violin in excellent condition, 349mm, (Our #30802) $3,500.
160. LOUIS LOWENDALL, Berlin, c.1925, 355mm, (Our #30647) $3,500.
161. OSKAR C. MEINEL, BY ERNST HEINRICH ROTH, Markneukirchen, 1936, 360mm, (Our #30846) $3,500.
162. JACOBUS HORNSTEINER, Markneukirchen, c.1930s, Stradivari model, excellent condition, clear, bright sound, this was a trade-name used by the firm of Ernst Heinrich Roth, 358mm, (Our #30928) $3,000.
163. PAUL CLAUDOT, Mirecourt, c.1890s, 362mm, (Our #30281) $3,000.
164. REMBERT WURLITZER, FOR, Mittenwald, c.1960, 355mm, (Our #30681) $3,000.
Out of the Woodshed
$1,100- $2,500
165. ROMAN TELLER, Erlangen, Germany, c.1960, 359mm, (Our #29396) $2,500.
166. MAGGINI MODEL, Markneukirchen, c.1890-1910, tastefully antiqued varnish, a long Maggini model violin with a massive deep sound, 366mm, (Our #29242) $2,500.
167. ERNST HEINRICH ROTH, Markneukirchen, 1927, a good sounding less expensive Roth workshop Stradivari model, 356mm, (Our #30597) $2,500.
168. GERMAN, Saxony, c.1890s, 360mm, (Our #30639) $2,200.
Baroque
169. LOCKEY HILL, London, c.1775, still in Baroque condition with original neck (still in with nail), saddle, & bass-bar, 353mm, (Our #22898) $15,000.
170. NICOLAS AUGUSTIN CHAPPUY, Mirecourt, c.1780s, in a particularly fine state of preservation & in original Baroque condition, certificate by Wm. Moennig & Son, Philadelphia, 360mm, (Our #28315) $12,000.
171. ENGLISH, London, c.1680-1720, Baroque set-up with original neck and bass-bar, and bears some similarity to the work of William Baker & John Grice, London makers of the late 17th & early 18th centuries, 352mm, (Our #23168) $7,500.
172. DAVID HOPF, Klingenthal, c.1790-1800, with his typically excentric corners & soundholes, a remarkably intact example of a transitional violin in original condition, original neck and neck angle, set-up with gut strings, string length-315mm, 356mm, (Our #27536) $4,500.
173. GEBRUDER LIPPOLD, Neukirchen, 1824, overall original & in good condition but requires some restoration (original bass-bar, etc., suitable for use as a classical style violin; with a scale length of 315mm), 357mm, (Our #24651) $2,500.
Fiddling Children
Fractional Size Violins
174. ALBERT KNORR, Markneukirchen, c.1920s, beautiful wood & nicely antiqued, in excellent condition, 336mm, (Our #28650) $3,000.
175. JEROME THIBOUVILLE-LAMY, Mirecourt, c.1900-1910, in nearly perfect condition, 330mm, (Our #30302) $2,800.
176. JEHANNE H. BLAISE, Mirecourt, c.1910 & later, a nice older Mirecourt 3/4 in nearly perfect condition, (13-3/8"), 340mm, (Our #28872) $2,500.
177. MARKNEUKIRCHEN SCHOOL, c.1880, 1/4 size, 283mm, (Our #28696) $2,000.