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The Fabulous, Famous Ole Bull
above $55,000
1. ANTONIO & HIERONYMUS AMATI, Cremona, 1617, a stunningly beautiful work by Antonio and Girolamo Amati, in a particularly fine state of presevation, Certificates from Pierre Vidoudez, Geneva, and Etienne Vatelot, Paris, 353mm, (Our #31306) INQUIRE
2. SANCTUS SERAPHIN, Venice, c.1745, the head c.1688 by G. B. Rogeri, a particulary beautiful & fine sounding violin, provenance: previously sold by the London firms of W. E. Hill & Sons, J & A Beare, and Hart & Son, 352mm, (Our #29827) INQUIRE
3. GIOVANNI PRESSENDA, Turin, 1834, a superb concert instrument, certificate by Dario D'Attili, 355mm, (Our #31120) INQUIRE
4. J. B. VUILLAUME, Paris, c.1845-50, a very strong & bold sounding Stradivari model, and a good and characteristic example, 358mm, (Our #31317) INQUIRE
5. JOSEPH GAGLIANO, Naples, Certificate: J. & A. Beare, London, 356mm, (Our #31444) INQUIRE
6. GIOVANNI PAOLO MAGGINI, Brecsia, c.1620, Certificate by Charles Beare, 362mm, (Our #30756) INQUIRE
7. PIETRO ANTONIO LANDOLFI, Milan, 1776, certificates from: Paulus Pilat, New York dated Sept. 6, 1944; & Rudolph Wurlitzer, New York, dated Jan. 11, 1939, 356mm, (Our #30120) INQUIRE
8. RAFFAELE & ANTONIO GAGLIANO, Naples, c.1840, by a late member of the Gagliano family, most likely the work of Raffaele & Antonio Gagliano, 358mm, (Our #30663) INQUIRE
9. JOANNES TONONI, Bologna, c.1690-1700, With the certificates of Kenneth Warren & Son, Chicago, dated 2005, and Rudolph Wurlitzer, New York, dated 1945 (photocopy), 348mm, (Our #31310) INQUIRE
10. ANTONIO ZANOTTI, Mantua, c.1730, Certificate from Wm. Moennig & Son, Philadelphia, 353mm, (Our #31445) INQUIRE
11. LEANDRO BISIACH, Milan, c.1910, a fine copy in the style of Matteo Goffriller by Leandro Bisiach, 353mm, (Our #31116) INQUIRE
12. GIUSEPPE PEDRAZZINI, Milan, c.1910, an early example of this maker's work, a fine model of J. B. Guadagnini c.1770, 354mm, (Our #28500) INQUIRE
13. JOANNES TONONI, Bologna, c.1690-1700, with restored cracks & worm repairs; Rory Williams in his blog concerning a local performance on this violin notes: "The haunting colors he elicits from the 1690 Tononi violin stay with you long after the bow’s last breath"; shows the hand of Carlo Tononi, 351mm, (Our #24555) INQUIRE
14. GAETANO VINACCIA, Naples, c.1820, with the certificate of William Moennig and Sons as the work of Raffaele &Antonio Gagliano dated February 1962, actually the work of Gaetano Vinaccia, whose violins are often sold as the work of the Gagliano Family, 355mm, (Our #29545) INQUIRE
15. GIOVANNI GUIDANTUS, Bologna, c.1710-1730, 356mm, (Our #31374) INQUIRE
16. JOANNES TONONI, Bologna, c.1700, Jaroslav Siskovsy puchased this violin (as the work of G. B. Rogeri) from Isaac Stern of New York City, who had received it from Caressa & Cie of Paris. Siskovsky used the violin from 1919 to 1931 as a member of the New York String Quartet, 353mm, (Our #31201) INQUIRE
17. GAGLIANO SCHOOL, Naples or Milan, c.1910, a very fine violin of the Gagliano School, bearing the label: Ferdinando Gagliano Filius/Nicolai fecit Neap 17(83?)., 350mm, (Our #26702) INQUIRE
$35,100-$55,000
18. J. B. VUILLAUME, Paris/Mirecourt, 1852, a particularly fine example of a Ste. Cecile model Vuillaume, labeled: Ste. Cecile des Thernes/ Paris 1852, and retaining its original neck, 358mm, (Our #31009) INQUIRE
19. ANTONIAZZI FAMILY, Milan, c.1890-1900, a sonorous and appealing violin patterned after Joseph Rocca, probably the work of Gaetano Antoniazzi, 356mm, (Our #24073) INQUIRE
20. GAETANO SGARABOTTO, Parma, c.1930, a Scarampella/Guarneri model labeled: STEFANO SCARAMPELLA di BRESCIA/PREMIATO CON MEDGALIE D'ARGENTO/Fece in Mantova(ms) anno 1913, 354mm, (Our #27587) INQUIRE
21. CHARLES ADOLPHE GAND, Paris, 1847, a fine & characteristic example of this makers work, 358mm, (Our #31026) INQUIRE
22. JEAN FRANCIOS ALDRIC, Paris, c.1820, a Stradivari model violin by one of the most skillful Paris makers of the Lupot School, in a very fine state of preservation, 360mm, (Our #31570) INQUIRE
23. GIUSEPPE SGARBI, Rome, c.1880, 360mm, (Our #28302) INQUIRE
24. JACOPO CORDANUS, PROBABLY THE WORK OF, Genoa, c.1730-1760, an interesting violin of the Genoa School, a similar violin is illustrated on p.178 of the Walter Hamma book of Italian Violinmakers, as the work of Cordanus, 363mm, (Our #27683) INQUIRE
25. LUDOVICO RASTELLI, Genoa, c.1840, an interesting model after a c.1730s Guarneri del Gesu, 355mm, (Our #22141) INQUIRE
26. ANDREAS CASTAGNERI, Paris, c.1745, a stunning example of the best Paris work of the period, 356mm, (Our #29405) INQUIRE
27. JOHN BETTS, London, 357mm, (Our #31497) INQUIRE
28. ROMEO ANTONIAZZI, WORKSHOP OF, Milan, 1918, made by Romeo Antoniazzi for the shop of Antonio Monzino, 357mm, (Our #29385) INQUIRE
Gentleman Violinist
$20,100- $35,000
29. JOHN FREDERICK LOTT II, London, c.1850, an antiqued Guarneri del Gesu model, 353mm, (Our #30110) INQUIRE
30. GIOVANNI TEDESCO, Naples, c.1920, made in a rustic antique style to resemble the work of Lorenzo Ventapane, 358mm, (Our #23571) INQUIRE
31. GIOVANNI PISTUCCI, Naples, labeled: RAFFAELE ed ANTONIO GAGLIANO/ Quodam Giovanni Napoli 1869, and modeled after the Gagliano Family, 356mm, (Our #30757) INQUIRE
32. GIUSEPPE DOLLENZ, Trieste, c.1870, Giuseppe was the son of Giovanni Dollenz, 357mm, (Our #25092) INQUIRE
33. EMIDIO CELANI, Ascoli Piceno, c.1890-1900, an interesting Central Italian violin of smallish proportions, fully antiqued & with a strong dark sound, 351mm, (Our #30039) INQUIRE
34. BERNARD SIMON FENDT, London, c.1805-1820, a very fine example of the work of Bernard Simon Fendt I, in excellent condition; with the certificate of Wm. Moennig & Son, Philadelphia as the work of Vincenzo Panormo c.1795, 357mm, (Our #31155) INQUIRE
35. PIERRE JOSEPH HEL, Lille, France, 1883, Stradivari model, 355mm, (Our #31100) INQUIRE
36. ALBERTO BLANCHI, Nice, 1929, Alberto Aloysius Blanchi was an Italian maker who worked in Nice; this is an interesting and fine sounding antiqued Amati model in a very fine state of preservation, 355mm, (Our #28860) $28,000.
37. DIEGO LOVERI, Naples, 1921, a Gagliano model by a fine Neapolitan workshop, 354mm, (Our #25123) $25,000.
38. CARLO CARLETTI, Pieve di Cento, 1938, 358mm, (Our #24701) $25,000.
39. GIULIO DEGANI, Venice, c.1915, 356mm, (Our #27351) $25,000.
40. BARTOLOMEO TASSINI, Venice, 1754, a Stainer model with various back repairs, though none right at the soundpost, 356mm, (Our #24537) $25,000.
41. CARLO BRUNO, Turin, 1918, 355mm, (Our #24423) $25,000.
42. DEZSO BARANY, Budapest, c.1920, a fully antiqued copy of Nemessanyi by this accomplished producer of interesting copies; labeled: Samuel Nemessanyi fecit ad forman/ Josephi Guarnerii Pestimi 1867/ fil Andrea, 356mm, (Our #30679) $22,000.
43. CAMILLO MANDELLI, Milan, 1926, this maker is also known as Camillo da Calco; born in Calco (Como) in 1873; he worked in Milan with Bisiach & Antoniazzi, worked in Buenos Aires in 1889, returned to Italy in 1920, 356mm, (Our #27158) $22,000.
44. EMILE BOULANGEOT, Lyon, 1927, Certificate by Wm. Moennig & Son, 355mm, (Our #30153) $22,000.
45. GEORGE GEMUNDER, Astoria, 1886, 359mm, (Our #31364) $22,000.
46. GUERSON/PIERRAY, Paris, c.1740, a work of the late workshop of Claude Pierray, or his pupil Louis Guersan, 354mm, (Our #28647) $22,000.
$15,100-$20,000
47. GENUZIO CARLETTI, Pieve di Cento, c.1960, a good Bologna School violin bearing a label of Carlo Carletti & probably the work of Genuzio Carletti, 354mm, (Our #28486) $20,000.
48. PAOLO VETTORI, Florence, 2014, Modeled after a Nicolo Gagliano violin of 1755, 353mm, (Our #30401) $20,000.
49. JOSEPH DALL'AGLIO, Mantua, 1821, a broad model by Dall'Aglio after Balestrieri; with the original back, ribs & head, the somewhat later table by a London maker, possibly H. Lockey Hill; receipt from John Friedrich & Bro., New York March 1922, and included in that company's 1922 catalogue, 357mm, (Our #25279) $20,000.
50. THOMAS KENNEDY, London, 1849, Sales Invoice from Rembert Wurlitzer (copy) 9/6/69 & certificate letter of same date, 356mm, (Our #27335) $20,000.
51. NORTH ITALIAN, Venice or Padua, c.1800, an interesting late 18th century early 19th century violin of the Venice school, similar to the style of Domenico Busan, 357mm, (Our #26981) $20,000.
52. GEORGE CRASKE, Manchester, 1850, a Guarneri model with a shallow arch, and of somewhat smaller dimensions than many of his insruments, 353mm, (Our #26259) $20,000.
53. GIOVANNI CAVANI, Modena, c.1930, labeled PIETRO MESSORI/ MODENA/ fatto l'Anno 1932; branded on inside back: MESSORI; and possibly made for Messori by Cavani, certificate by Dario D'Attili, dated Dumont 1992, as the work of Pietro Messori of Modena, 356mm, (Our #29097) $18,000.
54. GEORGE CHANOT, WORKSHOP OF, Paris, c.1850, Stradivari model, 358mm, (Our #24783) $18,000.
55. GIOVANNI PALLAVER, Verona, 1957, Pallaver was a student of Andrea Bisiach in Milan, 357mm, (Our #28700) $16,000.
56. GABRIEL LEMBOCK, Vienna, 1881, 357mm, (Our #30930) $16,000.
57. FUSSEN SCHOOL, c.1840, a fine sounding violin by one of the Bolzano/Fussen makers, 356mm, (Our #31060) $15,000.
Violin Portrait
$10,100- $15,000
58. HORNSTEINER FAMILY, Mittenwald, c.1780, probably by Peter Hornsteiner, 360mm, (Our #29277) $15,000.
59. W. E. HILL & SONS, London, 1934, a lovely Venetian model in very fine condition; labeled: Made in the Workshops of/ William E. Hill & Sons/ London 1934; probably the work of Langonet or Delunet; in particularly fine condition; certificate from Jacques Francais, 354mm, (Our #30790) $15,000.
60. BERNARD SIMON FENDT, PROBABLY BY, London, c.1810-, a Stradivari model from the London shop of Thomas Dodd (most violins sold by and labeled T. Dodd were made by Bernard Simon Fendt I or John Lott, Sr.); original neck re-angled at the heel; Certificate from Balmforth & Son, London, 355mm, (Our #22628) $15,000.
61. UMBERTO MUSCHIETTI, Udine, 1941, 353mm, (Our #30090) $15,000.
62. LUIGI MOZZANI, Pieve di Cento, 1918, in particularly fine condition, 357mm, (Our #28941) $15,000.
63. MICHAEL DARNTON, Chicago, 1993, Guarneri del Gesu model, (Our #31554) $15,000.
64. GIOVANNI PALLAVER, Verona, 1954, 356mm, (Our #28942) $15,000.
65. JACOB MUELLER, Berlin, 2016, 355mm, (Our #31485) $15,000.
66. JANOS SPIEGEL, Budapest, 1918, a Guarneri del Gesu model with a very attractive one-piece back, 358mm, (Our #28977) $15,000.
67. GEORGE WULME HUDSON, London, c.1920, a model after Luigi Marconcini, a particularly attractive & fine sounding instrument in superb condition, 353mm, (Our #25241) $15,000.
68. FRANCOIS DELPRATO, Mirecourt/Paris, c.1900, a beautifully antiqued Stradivari model. Delprato was born in Paris in 1876, and worked in Mirecourt, Paris, London, Chicago & New York, 355mm, (Our #26387) $15,000.
69. PERRY AND WILKINSON, Dublin, 1797, a comfortable model with a flat arch and a slightly short string length, 354mm, (Our #29309) $15,000.
70. RAFFAELLO STEFANINI, Bologna, 2014, Raffaello Stefanini was a student of Otello Bignami of Bologna, 356mm, (Our #30284) $14,500.
71. CHARLES J. B. COLLIN-MEZIN, Mirecourt, 1897, a strong sounding & attractive violin from this prominent Mirecourt workshop, 360mm, (Our #28467) $14,500.
72. CLAUDIO TESTONI, Mantova, 2014, a strong sounding Scarampella model by this fine student of Mario Gadda, 356mm, (Our #30460) $14,500.
73. PAUL BAILLY WORKSHOP, Paris/London, c.1904, Stradivari model, 357mm, (Our #27266) $12,500.
74. THOMAS KENNEDY, London, 1806, an early violin for this maker showing the influence of his teacher William Forster, 355mm, (Our #27367) $12,500.
75. JOHN FRIEDRICH, New York, 1901, a large Stradivari pattern violin with long elegant corners reminiscent of the work of the 18th century Paris makers, 356mm, (Our #27546) $12,500.
76. JOHANN JOSEF STADLMANN, Vienna, c.1750, in a particularly fine state of preservation, 357mm, (Our #28720) $12,500.
77. RAFFAELE CALACE, Naples, 1914, a good & dark sounding Neapolitan violin in excellent condition, 356mm, (Our #22504) $12,500.
78. BENVENUTO BOTTURI, Brescia, 1939, 357mm, (Our #29289) $12,500.
79. ELIGIO PUCCINI, Empoli, 1938, 355mm, (Our #30356) $12,500.
80. SAMUEL PAYTON, Philadelphia, 2016, 354, (Our #31534) $12,500.
81. OTTO ERDESZ, an antiqued Guarneri del Gesu model, 356mm, (Our #31093) $12,500.
82. SAM PAYTON, Philadelphia, 2014, a fine copy of J. B. Guadagnini, 351mm, (Our #30608) $12,500.
83. SAM PAYTON, Philadelphia, 2015, Modelled after a Matteo Goffriller violin of 1707, rich reddish varnish, elegant details and orchestral arching with comfortable proportions, 351mm, (Our #30740) $12,500.
84. JOHN THORELL, Boston, 2013, An extremely playable and well-balanced violin modeled after the Messie Stradavari, 357mm, (Our #31220) $12,500.
85. HONORE DERAZEY, Mirecourt, c.1860, an antiqued Guarneri del Gesu model, 356mm, (Our #30875) $12,500.
86. CARESSA & FRANCAIS, Paris, c.1920s, 358mm, (Our #31523) $12,500.
87. NATHANIEL CROSS, ATTRIBUTED TO, London, c.1730, certificate by Wm. Moennig & Sons dated August 9, 1956, 358mm, (Our #31583) $12,500.
88. SASKIA BERGINK, Milan, 2006, Built on a model of Carlo Tononi of particularly handsome wood; Saskia Bergink was trained in Milan by Luca Primon, 354mm, (Our #25852) $12,000.
89. LUIGI MOZZANI, Bologna, 1930, 357mm, (Our #24076) $12,000.
90. LEOPOLD RENAUDIN, Paris, c.1780, a large model after the work of Boquay; Certificate from Max Moller, Amsterdam, as the work of Jean-Baptiste Salomon, 365mm, (Our #29094) $12,000.
91. KARL WEISS, ATTRIBUTED TO, Stuttgart, c.1930, a highly crafted & classy German violin, probably the work of Karl Weiss, b.1912 & worked for Hamma & Hans Nebel; labeled: LEANDRO BISIACH della Scuola Cremonese/ fece in Milano 1896, 355mm, (Our #29808) $12,000.
92. GIUSEPPE CALACE, Naples, c.1930, 355mm, (Our #24726) $12,000.
93. PAUL BAILLY, London, 1891, late 20th century revarnish, otherwise a fine & handsome example of a Paul Bailly Guarneri model, 356mm, (Our #30474) $12,000.
94. DAVID CARON, 1987, This great American maker's model after Paganini's 1741 Guarneri del Gesu, 354mm, (Our #31432) $12,000.
95. JULES JOSEPH GRANDJON, Mirecourt, c.1870, a Guarneri model with a very powerful sound, antiqued in the manner of the Vuilluame shop, 360mm, (Our #29310) $12,000.
96. WOJCIECH TOPA, Poland, 2010, an antiqued Guarneri del Gesu model, 351mm, (Our #31362) $12,000.
97. EULO DORFINO BY PAUL DOERFEL, Markneukirchen, 1930, labeled: Eulo Dorfino/ Espressamente per/ William Moennig & Son./ Reproduction of Carlo Testore/ 1930, 357mm, (Our #28606) $11,000.
$8,600-$10,000
98. RAFFAELE CALACE, Naples, 1910, 354mm, (Our #30341) $10,000.
99. OTTO GLAESEL, Markneukirchen, 1885, a superb master maker; inscribed on the inside top: "fait par Luthier et/ Archetier Otto Glesel/ ouvrier de C. Thomassin et G. Winterling/ avant la Guerre/ a Paris; and: Otto Glesel/ Markneukirchen/ Lindenstr. 605/ geb 1885./ Instrument/ No. 204", 362mm, (Our #30925) HOLD
100. ENGLISH, LABELED JOSEPH HILL, London, c.1850, a very fine London school violin of the mid-19th century, 355mm, (Our #29193) $10,000.
101. JEAN-PATRICK MOISY, County Cork, Ireland, 2010, 356mm, (Our #28649) $10,000.
102. VIRGILIO CAPELLINI, Cremona, 1974, a Stradivari model in excellent condition, 355mm, (Our #28575) $10,000.
103. FRANCOIS DELPRATO, PROBABLY BY, Mirecourt, c.1900 and later, a tastefully antiqued model of Matteo Goffriller, 359mm, (Our #25267) $9,000.
104. ETIENNE LAPREVOTTE, Paris, 1822, 359mm, (Our #31011) $9,000.
105. GEORGE APPARUT, Mirecourt, 1946, 356mm, (Our #31294) $9,000.
106. LOUIS DOLLING, JR, Markneukirchen, c.1890, 359mm, (Our #29646) $8,500.
$5,600-$8,500
107. JOHN JUZEK, 1936, a fine sounding Juzek Master Art model Gagliano copy, 353mm, (Our #31076) $8,500.
108. CHARLES J. B. COLLIN-MEZIN, Mirecourt/London, c.1880, a fine violin produced in France for the English market & sold by a London shop, possibl;y for Withers, 359mm, (Our #27499) HOLD
109. GEORG WALTER GUTTER, Markneukirchen, c.1920, this maker's model after Gabbrielli, 356mm, (Our #31465) $8,500.
110. UMBERTO LANARO, Padua, 1967, fitted with the maker's decorated pegs and tailpiece, 351mm, (Our #22134) $8,500.
111. ALBERT DEBLAYE, Paris, 1924, a Stradivari model in particularly fine condition, 358mm, (Our #31370) $8,500.
112. HERMANN GEIPEL, Markneukirchen, 1920s, an antiqued violin modeled after the King Joseph Guarneri, 358mm, (Our #29754) $8,000.
113. AUGUST GEMUNDER & SONS, 1908, a nicely antiqued Stradivari model, labeled: Gemunder "Art" Violin/ SOLE MAKERS/ AUGUST GEMUNDER & SONS./ New York/ 1908, 358mm, (Our #30444) $8,000.
114. RICCARDA DACQUATI, Cremona, 2006, Guarneri del Gesu model, 352mm, (Our #27120) $8,000.
115. BURRITT MILLER, Philadelphia, 1999, 355mm, (Our #25075) $8,000.
116. WILLIAM MOENNIG I, Philadelphia, 1919, Wm. Moennig I emigrated from Germany in 1896, & opened his shop in Philadelphia in 1909; labeled: William Moennig, fecit/ Philadelphia anno 1919, 360mm, (Our #29512) $8,000.
117. C. SANDINI, Vicenza, 1940, the catalogue of "la Musica Exposizione Generale Italiana di Torino" of 1898 records the fratelli Sandini of Castelnuovo (Vicenza) as makers of guitars, 359mm, (Our #22635) $8,000.
118. BURRITT MILLER, Philadelphia, 1992, 358mm, (Our #28013) $8,000.
119. WILLIAM H. MOENNIG JR., Philadelphia, 1945, 356mm, (Our #29554) $7,500.
120. TYROLEAN, 2nd 1/2-18th century, a very fine & attractive 7/8-size violin of the Tyrolean School, 346mm, (Our #30888) $7,500.
121. CAUSSIN WORKSHOP, Neufchateau (Vosges), c.1880, in this workshop's typical antiqued style; with a strong & dark sound, 358mm, (Our #29812) $7,500.
122. GUIDO MARAVIGLIA, Pistoia, 1961, interesting modern Italian work, 356mm, (Our #22634) $7,500.
123. GUIDO ALBERINI, Cremona, 2001, a Stradivari model from a graduate of the violin making school in Cremona, 356mm, (Our #27426) $7,500.
124. HEINRICH TH.HEBERLEIN JR., Markneukirchen, 1928, a Stradivari model with a very attractive one-piece back, and in nearly mint condition, 358mm, (Our #25304) $7,000.
125. LEON MOUGENOT, WORKSHOP OF, Mirecourt, c.1920, a Guarneri del Gesu model in excellent condition, 357mm, (Our #29955) $6,500.
126. HEINRICH TH HEBERLEIN, JR., Markneukirchen, 1926, Stradivari model, 356mm, (Our #28741) $6,500.
127. MOUGENOT WORKSHOP, Mirecourt, c.1920s, J. B. Guadagnini model, 357mm, (Our #29588) $6,500.
128. ORIPPI & GAMBARIN, Cremona, 2009, a tastefully antiqued Stradivari Model, certificate by the makers, 356mm, (Our #29534) $6,500.
129. PAUL HILAIRE, Mirecourt, 1976, labeled: "Fait par Paul HILAIRE/ en 1976 no. 850/ Made Especially for William Moennig & Son", 355mm, (Our #28463) $6,500.
130. GEORGES CONE ET FILS, Lyon, 1932, a Stradivari model in nearly perfect condition, 356mm, (Our #31411) $6,500.
131. LIONELLO GALETTI, Cremona, 1985, Stradivari model, with the maker's certificate, 355mm, (Our #25781) $6,500.
132. FRANCOIS BRETON, Mirecourt, c.1890, 358mm, (Our #30378) $6,500.
133. HEINRICH TH. HEBERLEIN, JR., Markneukirchen, 1915, Stradivari model, 355mm, (Our #26345) $6,500.
134. HENRY HOLT, London/Paris, c.1826, a good sounding violin branded & signed by an English maker previously unknown to us, though we strongly suspect it to be by a Paris maker of this period, 351mm, (Our #24420) $6,000.
135. OTAKAR FR. SPIDLEN, Prague, 1935, 355mm, (Our #29583) $6,000.
136. HANS NEBEL, Mittenwald, 1945, a full-sounding Guarneri model. Originally from Mittenwald, Hans Nebel worked in New York for Wurlitzer & returned to Mittenwald in 1945, 356mm, (Our #25489) $6,000.
137. HEINRICH TH. HEBERLEIN JR., Markneukirchen, 1911, Joseph Guarneri model, 357mm, (Our #28605) $6,000.
Entertaining Guests
$2,600- $5,500
138. CARLO MICELLI, Markneukirchen, 1927, a creatively antiqued Guarneri del Gesu model, the fine work of the workshop of Carl Meisel, 358mm, (Our #30377) $6,000.
139. JAMES BRIGGS, ATTRIBUTED TO, Glasgow, c.1880, 358mm, (Our #24794) $5,500.
140. NEUNER & HORNSTEINER, Mittenwald, c.1890, a fine Kloz copy by the firm of Neuner & Hornsteiner, 359mm, (Our #30593) $5,500.
141. ERNST HEINRICH ROTH, Markneukirchen, c.1925, an unlabeled & unbranded 1920s Roth workshop Guarneri del Gesu model in excellent condition, 356mm, (Our #29749) $5,500.
142. GUSTAVE AUGUST FICKER, Mittenwald, 1957, a fine copy of Nicolo Gagliano, 356mm, (Our #26242) $5,000.
143. CORBINIAN HORNSTEINER, Mittenwald, c.1820, labelled Martin Hornsteiner . . .1763, 355mm, (Our #24419) $5,000.
144. NICHOLAS VASICH, Baltimore, 1952, (b.Yugoslavia 1891 & worked in the U.S. from 1924-), 357mm, (Our #27862) HOLD
145. FRANZ REINDL, Mittenwald, 1967, 356mm, (Our #28499) $5,000.
146. JOHN FRIEDRICH & BRO., Markneukirchen, 1919, a Guarneri model made in Markneukirchen & sold by John Friedrich in New York, 355mm, (Our #29859) $4,750.
147. KURT MONNIG, Markneukirchen, c.1930s, labeled: Hergestellt von/ Kurt Monnig/fur Wm. Moennig & Son, 355mm, (Our #26661) $4,500.
148. MAX SCHUSTER, Markneukirchen, c.1925, a Stradivari model with a highly figured maple back & in very good overall condition, 356mm, (Our #26608) $4,500.
149. JOHN FRIEDRICH & BRO, Markneukirchen, 1923, a fine German Stradivari model made for & sold by the shop of John Friedrich in New York, 358mm, (Our #26573) $4,500.
150. JEROME THIBOUVILLE-LAMY, Mirecourt, c.1880-90, antiqued in the Caussin style, 355mm, (Our #26362) $4,500.
151. KURT MONNIG, Markneukirchen, c.1930s, labeled: GEMACHT VON/ KURT MÖNNIG/ FÜR/ WM. MONNIG & SON, 355mm, (Our #30498) $4,500.
152. ENGLISH OR SCOTTISH, c.1880, a Maggini model by a follower of Benjamin Banks, 362mm, (Our #22888) $4,500.
153. MIRECOURT, France, c.1890, possibly from the workshop of Jules Grandjon, 359mm, (Our #24650) $4,500.
154. G. A. PFRETZSCHNER, Markneukirchen, c.1925-30, a 1920s Stradivari model in excellent condition; labeled: Reproduction of Ant. Stradivarius/ made by G.A.Pfretzschner/Markneukirchen, 357mm, (Our #25819) $4,000.
155. ROBERT GLIER, Cincinnati, 1915, a Stradivari model violin, made in Mirecourt, France, probably by the Mougenot workshop, & finished by Robert Glier for the Rudolph Wurlitzer Company, 355mm, (Our #25801) $4,000.
156. FRANCOIS XAVIER LECAVALLE, Mirecourt, 1856, the pegbox terminating in a carved bald & bearded man's head, presumed to be that of Gaspard Duiffopruggar, with a strikingly figured maple back; inscribed on inside back: Lacavelle a mirecourt/ en. 1856, (14-1/2"), 368mm, (Our #26458) $4,000.
157. JEROME THIBOUVILLE-LAMY, Mirecourt, c.1890-1900, 357mm, (Our #24961) $4,000.
158. HEINRICH E. HEBERLEIN, Markneukirchen, 1921, 359mm, (Our #30721) $4,000.
159. ANDREAS MORELLI, Markneukirchen, c.1925, 358mm, (Our #31248) $3,750.
160. ENGLISH, London, c.1680-1730, with numerous old repairs & restorations; an interesting early English violin, possibly by a member of the Pamphilon family, 355mm, (Our #23953) $3,500.
161. ENGLISH/SCOTTISH, Manchester / Glasgow, c.1900, 359mm, (Our #24767) $3,500.
162. WALTER SOLON GOSS, Boston, 1915, labeled: MODEL "Scottish" Guarnerius/ WALTER SOLON GOSS/ STRING INSTRUMENT MAKER/ copy of FAMOUS ITALIANS/ BOSTON, MASS A.D. 1915, (Our #31229) $3,500.
163. C. G. CONN, Elkhart, Indiana, c.1925, Stradivarius model, possibly the work of Frank Barstow, 360mm, (Our #27753) $3,500.
164. G. A. PFRETZSCHNER, Markneukirchen, c.1920s, labeled: Meister-Geige/copy of/ Antonius Stradivarious/hand made by/ G. A. Pfretzschner, 358mm, (Our #26330) $3,500.
165. ALBERT HILDEBRANDT, Baltimore, 1907, a lovely handmade American Red Violin, a fine sounding Guarneri model in excellent condition, 356mm, (Our #28488) $3,500.
166. LOUIS LOWENDALL, Berlin, c.1925, 355mm, (Our #30647) $3,500.
167. ERNST HEINRICH ROTH, Markneukirchen, 1926, lab: Hermann Lowendall/ Berlin 1926/ Reproduction of Antonius Stradivarius/Cremona 1721, 360mm, (Our #30159) $3,500.
168. JOHN FRIEDRICH, SHOP OF, New York, 1904, a good German import sold by the New York shop of John Friedrich & Bro., 360mm, (Our #29134) $3,500.
169. OSKAR C. MEINEL, BY ERNST HEINRICH ROTH, Markneukirchen, 1936, 360mm, (Our #30846) $3,500.
170. H. M. SNELL, Pittsburgh, 1926, a finely crafted Guarneri model with extensive varnish craquele, 357mm, (Our #29669) $3,500.
171. HERMANN TODT, Markneukirchen, 1922, Joseph Guarneri model, 357mm, (Our #30920) $3,500.
172. KURT GUTTER, Markneukirchen, 1925, 359mm, (Our #26931) $3,500.
173. CARLO MICELLI, Saxony, 1920, in excellent condition; Carlo Micelli was a trade-name used by the firm of C. Meisel, & made in the Meisel workshop in Saxony, 362mm, (Our #26670) $3,500.
174. JACOBUS HORNSTEINER, Markneukirchen, c.1930s, Stradivari model, excellent condition, clear, bright sound, this was a trade-name used by the firm of Ernst Heinrich Roth, 358mm, (Our #30928) $3,000.
175. CZECH, Prague, c.1920s, Guarneri del Gesu model, possibly by Ottomar Hausmann, 356mm, (Our #30254) $3,000.
176. REMBERT WURLITZER (MADE FOR), Mittenwald, c.1960, 355mm, (Our #30681) $3,000.
Out of the Woodshed
$1,100- $2,500
177. MAGGINI MODEL, Markneukirchen, c.1890-1910, tastefully antiqued varnish in the French style, a long Maggini model with a massive deep sound, 366mm, (Our #29242) $2,500.
178. ROMAN TELLER, Erlangen, Germany, c.1960, 359mm, (Our #29396) $2,500.
179. PAUL CLAUDOT, Mirecourt, c.1890s, 362mm, (Our #30281) $2,500.
180. ERNST HEINRICH ROTH, Markneukirchen, 1927, a good sounding less expensive Roth workshop Stradivari model, 356mm, (Our #30597) $2,500.
181. GERMAN, Saxony, c.1890s, 360mm, (Our #30639) $2,200.
182. JEROME THIBOUVILLE-LAMY, Mirecourt, c.1890s, a decently crafted Stradivari model of J.T.L.'s Medio Fino grade, 360mm, (Our #31566) $1,600.
183. IVAN DUNOV, 2016, 355mm, (Our #31628) $1,200.
184. PIETRO LOMBARDI LABEL, 2016, A nicely proportioned Guarneri model, 355mm, (Our #31603) $1,200.
185. SAXON IN THE CAUSSIN STYLE, c.1890, 359mm, (Our #31577) $1,100.
Out of the Woodshed
$1,000 and Under
186. JEAN-PIERRE LUPOT LABEL, 2016, 357mm, (Our #31629) $900.
Baroque
187. LOCKEY HILL, London, c.1775, still in Baroque condition with original neck (still in with nail), saddle, & bass-bar, 353mm, (Our #22898) $15,000.
188. NICOLAS AUGUSTIN CHAPPUY, Mirecourt, c.1780s, in a particularly fine state of preservation & in original Baroque condition, certificate by Wm. Moennig & Son, Philadelphia, 360mm, (Our #28315) $12,000.
189. ENGLISH, London, c.1680-1720, Baroque set-up with original neck and bass-bar, and bears some similarity to the work of William Baker & John Grice, London makers of the late 17th & early 18th centuries, 352mm, (Our #23168) $7,500.
190. DAVID HOPF, Klingenthal, c.1790-1800, with his typically excentric corners & soundholes, a remarkably intact example of a transitional violin in original condition, original neck and neck angle, set-up with gut strings, string length-315mm, 356mm, (Our #27536) $4,500.
191. GEBRUDER LIPPOLD, Neukirchen, 1824, a good Saxon violin, suitable for use as a classical style violin, overall period original (neck, bass-bar, pegs, etc.) & in very good condition but requires a fingerboard & some minor restorations; with a scale length of 315mm, 357mm, (Our #24651) $2,500.
Fiddling Children
Fractional Size Violins
192. THIBOUVILLE-LAMY OR COLLIN WORKSHOP, Mirecourt, France, c.1910, (13-1/4"), 336mm, (Our #27353) HOLD
193. JEROME THIBOUVILLE-LAMY, Mirecourt, c.1900-1910, in nearly perfect condition, 330mm, (Our #30302) $2,800.
194. JEHANNE H. BLAISE, Mirecourt, c.1910 & later, a nice older Mirecourt 3/4 in nearly perfect condition, (13-3/8"), 340mm, (Our #28872) $2,500.
195. MARKNEUKIRCHEN SCHOOL, c.1880, 1/4 size, 283mm, (Our #28696) $2,000.